Top 5 unexploited film sequels to Brief Encounter

Thursday, April 30, 2009 by pouletnoir

It seems odd to me that no one has adequately exploited the popularity of Brief Encounter by making a sequel. Or, indeed, several sequels, preferably along the lines of the Die Hard franchise, viz:

Brief Encounter 2: Briefer Encounter
Dr Alec Harvey returns from Johannesburg for a conference on respiratory diseases among miners, but only meets Laura Jesson for a few seconds while changing trains on his way to the Winter Gardens in Blackpool.

Brief Encounter with a VengeanceBrief Encounter with a Vengeance
Fred Jesson discovers the truth about his wife’s clandestine cinema visits with Dr Alec Harvey and contrives to restore his pride by poisoning a scone destined for Harvey, who is due to visit the railway station tea shop on his return journey from Blackpool. The assassination attempt is foiled, however, when Dolly Messiter, the chatterbox who interrupted Harvey and Mrs Jesson’s farewell at the end of the first film, intercepts the lethal scone and dies noisily, pulling the tablecloth to the floor and upsetting a dish of Banbury cakes. 

Brief Encounter 4.0: Live Free or Encounter Briefly
(directed by Joel Schumacher)
Dr Alec Harvey, who has been suspended from the medical profession after the shock of Dolly Messiter’s death caused him to seek solace at the bottom of a whisky bottle, learns from autopsy reports that her demise was no accident. He returns to the station to confront Fred Jesson, but is met instead by Jesson’s hired goons, who force him to take refuge behind the counter in the station cafe during a 15-minute shoot-out sequence. Harvey overcomes Jesson’s thugs, defeats Jesson in hand-to-hand combat armed only with a stethoscope and episiotomy scissors, and rescues Laura Jesson from certain death by untying her from the railway tracks just before the delayed arrival of the 4.15pm to Crewe.

Brief Encounter Begins
A reboot of the franchise, in which Dr Alec Harvey emerges as a character stricken with guilt over his inability, as a child, to cure his twin brother’s conjunctivitis. To atone for his failure, he frequents station cafes in a tireless quest to remove coal dust from passengers’ eyes. He begins to find solace after rescuing Laura Jesson from certain blindness in one eye, but his happiness is thwarted by the return of his brother, whose bitterness over his condition has caused him to reinvent himself as the villainous Partially-Sighted Man. Harvey emerges victorious from their fight to the death (after Partially-Sighted Man gets coal dust in his other eye and stumbles into the coke furnace aboard the Penzance Express) but alienates Mrs Jesson, who realises that Harvey’s mission to save sight is more important than their relationship.

Brief Encounter Actually
Richard Curtis reimagines Brief Encounter as a five-act rom-com in which Dr Alec Harvey (Hugh Grant) and Laura Jesson (Keira Knightley) overcome their awkward social situation and get married after Fred Jesson (Bill Nighy) confesses his deep-seated passion for Dolly Messiter (Emma Thompson), who is equally smitten. Beryl Walters (Renee Zellweger), the cafe assistant, dies, but the solemnity of her funeral is broken when Albert Godby (Rowan Atkinson), the ticket inspector, uses the occasion to consumate his relationship with Myrtle Bagot (Martine McCutcheon), the longstanding object of his flirtatious banter. All six lovers are married in a joint ceremony in the station cafe at Christmas, during which it snows.

Artbollocks

Wednesday, March 11, 2009 by pouletnoir

There is an exhibition on at the Old Truman Brewery at the moment called GazeAndBody. What’s it about, I wondered, as I picked up the leaflet. Well:

“The work commissioned by Rotoreliefs in Vibe Bar is focused on discourse and is materialised in videos and performances (Gaze & Body) which are interconnected by the concept and the translation of visual images into words.”

Now, I’ve done a degree in social sciences. I know what discourses and concepts are, but this is baffling. Is it meant to mean something, or is it a hoax to gull card-carrying PoMos into looking pensive while watching porn?

Bum note (2)

Tuesday, March 10, 2009 by pouletnoir

It strikes me that since the advent of digital cameras there must be a much higher proportion of people who know what their own anus looks like. Or the proportion may be the same, but there has been a sharp decline in the sales of complicated systems of mirrors.

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Dustman lost in translation

Tuesday, March 3, 2009 by pouletnoir

I’m an enormous fan of online translation machines, so much so that I once used one to give an interview, by e-mail, to a Brazilian academic who spoke only Portuguese. When finished, I tried to work out how accurate the machine had been by translating my words into Portuguese and using the same machine to translate them back. It was absolutely incomprehensible.

Here, for example, is one machine’s attempt to translate the chorus to My Old Man’s a Dustman into German:

Mein alter Mann ist ein Müllabfuhrmann, trägt er die Schutzkappe eines Müllabfuhrmannes, trägt er Gottvorhang ich Hose, und er lebt in einer Wohnung des Rates.

And here is the machine’s attempt to translate it back again:

My old man is a garbage disposal man, carries he the protective cap of a garbage disposal man, carries he for God curtain I trousers, and he lives in a dwelling of the advice.

I did try to help by translating the idiom “cor blimey” into its original meaning, “God blind me”, but it didn’t help much. If Lonnie Donegan had recorded the song with those lyrics he might have been stuck in a dwelling of the advice for life.

Top 5 superior song lyrics to woop, woop

Monday, January 19, 2009 by pouletnoir

policeman photo taken by allen350d and used under creative commons licence“Woop, woop,” is, according to the rapper KRS-One, the sound of the police.

Is it, though? I’ve heard the police, and it was definitely more: “Mee-maw, mee-maw.”

Now I think about it, that was probably the police car rather than the police themselves. I suggest to KRS-One, if that’s his real name, that he revise his song to one of the following:

1. Would you mind breathing into this bag, sir? That’s the sound of the police.

2. ‘Ello, ‘ello, ‘ello, that’s the sound of the police.

3. We are appealing for witnesses to come forward, that’s the sound of the police.

4. A 32-year-old man is helping us with our inquiries, that’s the sound of the police.

5. You do not have to say anything but it may harm your defence if you do not mention when questioned something that you later rely on in court, that’s the sound of the police.

Whose Golden Globes are they anyway?

Monday, January 12, 2009 by pouletnoir

Does anyone remember the bit at the end of each episode of Whose Line is it Anyway?, the comedy improv show, when Clive Anderson would ask his guests to read the closing credits in the style of his choosing?

Good. Now watch Kate Winslet’s acceptance speech at the Golden Globes last night and imagine that Anderson instructed her, just before she went on, to read the cast and crew list of Revolutionary Road in a certain style.

I cannot say for sure what style she is attempting, but I’m leaning towards “Pregnant woman attempting to give a speech at her best friend’s wake”.

Joke

Wednesday, January 7, 2009 by pouletnoir

rhubarb fool image taken by Pod Chef and used under Creative Commons licence with share-alike clauseQ: What does an emotional B A Baracas say whenever he sees a rhubarb-based dessert?

A: I pity the fool.

When I was on my gap year in Indiah…

Tuesday, January 6, 2009 by pouletnoir

Nauseating, isn’t it? Anecdotes about India are almost as boring as anecdotes about scuba diving (“There were all these… fish”) or anecdotes about surfing (“The wave was like, woah, and I was like, dude”).

India gappers have become an archetype: floppy-haired students with collarless shirts who “found themselves” by going to a Third World country, eating Europeanised food that the locals would never touch, and travelling along a route so well-worn by budget travellers that you can almost see the rut from space. 

It is tempting, then, to dismiss the gap year to India as a contrived, boil-in-the-bag experience that non-gappers can emulate by going to Ealing and chugging a packet of laxatives.

Lots of people do dismiss it in this way, but they all have one thing in common. They didn’t go. They are armchair critics attempting to mollify their envy by pretending it isn’t enviable.

I did go, and I can tell you this: it was wonderful. I don’t mean “wonderful” as a euphemism for good. It filled me with wonder, and still does, more than a decade on.  The critics are wrong for about a thousand reasons, but here are the top five:

1. There is nothing sanitised about India. Tourism, rife as it is, has had little impact even on those towns tramped by a million Lonely Planet pilgrims. This is a world where laundry is beaten on rocks, men will shout through your train window at 4am to try to sell you tea, and mothers cling the outside of buses after passing their babies through the windows to be cared for by strangers.

2. Poverty is inescapable. Its scale and intensity means that even the most blithe tourist will have to adapt his or her world view to cope with the shock. It makes Western poverty, with its social security safety nets and health provision, seem like a Swiss finishing school.

3. Westerners are outsiders. They will be stared at and hustled, not through animosity but because of an assumption that they have money to burn. Not only is it exhausting, but for white middle-class gappers it is probably the first time they will have been on the sharp end of racist prejudices.

4. Kindness to strangers is endemic and profoundly touching.

5. It isn’t home. Gap years coincide with teenagers learning to deal with the world without their parents, and being in a country far from home only enhances that experience.

None of this is meant to suggest that India is the ultimate gap destination. Any country resistant to western influences will have the same impact. My point is that India is no theme park or pre-packaged experience. People who spend six months there on a gap year do have insights that people who spend that time at home do not.

But yes, the anti-gappers have a point. Those who have been must learn to shut up about it. I shall not mention it again.

Notes from Abu Dhabi (made a little while ago)

Friday, January 2, 2009 by pouletnoir

The palms lining the roads in downtown Abu Dhabi have dates growing on them in giant bunches. “In a few weeks they will be ripe,” says Zahoor, the driver who is taking us into the desert to drive crazily up and down the dunes. Anyone can pick them, like blackberries in the English countryside. There seems to be more attention devoted to central reservations in this country than the British devote to their public flowerbeds. From 8am until at least 5pm there are overalled gardeners tending to the palms, lawns and rockeries by the roadside.

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Hog wash

Saturday, December 6, 2008 by pouletnoir

There is a statue of a warthog in the centre of Sydney outside a hospital on Macquarie Street. It was, a plaque notes, a gift from a visiting Italian delegation. The nose is shinier than the rest of it, and the plaque explains that too. “According to legend,” it says, “rubbing the warthog’s nose grants good luck.”

“According to legend” is an interesting way of putting it. It usually  means that the origins of a story are a bit dubious, but the story itself is so old that it’s worth retelling anyway. This may not be the case here, however.

The warthog was erected in 1968.